Editor
“ThingsI found outthrough hard times and good/I wrote ’em all out in ink and blood”
I’VE been thinking a lot recently about the responsibilities facing musicians at the moment, in particular how they
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HERE’S Irmin Schmidt, explaining the mercurial brilliance of Can in full flight. “Even if we improvised onstage, we always went in the same direction,” he tells us on page 19. “In a way that it became a music that was not just bullshit. It was not so
