Guitar World

Sweet Sassafras

been thinking a lot lately. Thinking about the creative and technical choices he’s made; thinking about what makes a great guitar valuable in the first place; and how we can be more friendly to ourselves as players and people. The result of that introspection is the gentle, acoustic guitar- and piano-driven , which finds one of the world’s acknowledged Zen masters of jazz-rock tone and technique stepping back from the kind of blinding fuzz-tone quintuplet runs and post-fusion high-wire shredding of classics like “Cliffs of Dover” and “Western Flier,” or more recent throwdowns like the arpeggio-driven “Stratagem” [ Collage] and the Meters-meets-Mahavishnu fatback of “Fatdaddy” Up Close].

You’re reading a preview, subscribe to read more.

More from Guitar World

Guitar World1 min read
Guitar World
EDITORIAL EDITOR-IN-CHIEF Damian Fanelli (damian.fanelli@futurenet.com)SENIOR MUSIC EDITOR Jimmy BrownTECH EDITOR Paul RiarioASSOCIATE EDITORS Andy Aledort, Chris GillPRODUCTION EDITOR Jem RobertsMUSIC TRANSCRIPTIONIST AND ENGRAVER Jeff PerrinCONTRIB
Guitar World3 min read
The King’s Thing
ON MY LATEST release, Blues Deluxe Vol. 2, I covered the Albert King classic “You Sure Drive a Hard Bargain.” My guitar of choice for the recording was a 1967 Gibson Flying V in Sparkling Burgundy. I once had the pleasure of having an audience with a
Guitar World5 min read
Sounding Board
[Editor’s note: The first six Sounding Board entries below are in response to a question I posed in my April 2024 Woodshed column: Is it OK for new guitarists to start with an open tuning, just so they can hit the ground running and play something “m

Related Books & Audiobooks