ARCHAEOLOGY

Photo Credits

OVER—Kenneth Garrett; 1—Courtesy Matt Stirn; 3—(clockwise from top left) Courtesy Andrzej Niwiński, Soprintendenza Archeologia, Belle arti e paesaggio per le province di Verona, Rovigo e Vicenza, agefotostock/Alamy Stock Photo, Photo courtesy of Ing. Frederico Solorzano, Regional Museum of Guadalajara. Guadalajara, Jalisco Mexico, Andrei Panin; 4—Azoor Photo Collection/Alamy Stock Photo; 6—Elizabeth Lawlor, AIA-Riverside Society; 9—Andrei Panin, Petra Doeve; 10—Great Barrington House Summer “33,” mums312-b195-i158; courtesy of; 23—(clockwise from top left) Nordland County Council, Ashleigh Haruda, GL Archive/Alamy Stock Photo, J. Leach, © MADAJ, Marianne Cotty, Olivia Munoz et Ronald Schwerdtner; 24—Robert Harding/Alamy Stock Photo; 26—Lower portion of a seated figure of Djefaihapi, Museum of Fine Arts, Boston Harvard University—Boston Museum of Fine Arts Expedition, 14.724, Statue of Lady Sennuwy, Museum of Fine Arts, Boston, Harvard University—Boston Museum of Fine Arts Expedition, 14.720; 27—Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel, Heritage Image Partnership Ltd/Alamy Stock Photo, Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel; 28—Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel (2); 29—Faience vessel fragment, Museum of Fine Arts, Boston, Harvard University—Boston Museum of Fine Arts Expedition, 20.1266, Belt with a glazed quartz pendant, Museum of Fine Arts, Boston, Harvard University—Boston Museum of Fine Arts Expedition, 20.1729, Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel, Mica appliqué of a giraffe, Museum of Fine Arts, Boston Harvard University—Boston Museum of Fine Arts Expedition, 20.1770.2, Ivory inlay of an elephant, Museum of Fine Arts, Boston Harvard University—Boston Museum of Fine Arts Expedition, 21.11797-9; Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel, Photograph B.N. Chagny © ; 31—Courtesy of the Swiss-Franco-Sudanese Archaeological Mission of Kerma-Dukki Gel (3); 32—© Department of Archaeology, Durham University, with permission from The Auckland Project (6); 32-33—© Department of Archaeology, Durham University, with permission from The Auckland Project; 33—© Department of Archaeology, Durham University, with permission from The Auckland Project; 34—© Department of Archaeology, Durham University, with permission from The Auckland Project; 35—© Andy Gammon 2019, © Department of Archaeology, Durham University, with permission from The Auckland Project; 36—Courtesy Archaeological Services Durham University, Courtesy Chris Gerrard; 37—Jamie Sproates, courtesy The Auckland Project (2); 38—Courtesy Jack Ives/Apachean Origins Project; 41—UMNH 42BO1 10065, UMNH 42BO1 10055, Courtesy Jack Ives/Apachean Origins Project, UMNH 42BO1FS173, Courtesy Jack Ives/Apachean Origins Project (4); 42—Francois Gohier/Science Source, UMNH 42BO1 9501, Courtesy Jack Ives/Apachean Origins Project; 43—Courtesy Jack Ives/Apachean Origins Project (2); 44-45—hpbfotos/Alamy Stock Photo; 45—Dutch National Archive, the Hague. Maps and drawings department. Collection Leupe nr. 178. (Public Domain); 46—Courtesy Bruno Werz; 47—Courtesy Bruno Werz (2); 48-49—Courtesy of J. Torres-Martínez/ IMBEAC, Courtesy of J. Torres-Martínez/IMBEAC (16); 50—Courtesy of J. Torres-Martínez/ IMBEAC; 51—Courtesy of J. Torres-Martínez/ IMBEAC; 52—Courtesy of J. Torres-Martínez/ IMBEAC (4); 53—Courtesy of J. Torres-Martínez/ IMBEAC (3); 55—Hans Blossey/Alamy Stock Photo; 56—Courtesy California State Library; 58—Courtesy National Archives and Records Administration, Hoberman/UIG/Bridgeman Images; 59—Courtesy National Archives and Records Administration; 60—Matthew Brunwasser (2); 62—Courtesy National Archives and Records Administration (2); 63—Courtesy National Archives and Records Administration, Courtesy Peter Gavette; 64—Courtesy National Archives and Records Administration, Matthew Brunwasser; 66—Photo Courtesy Sandra K. Lucore; 68—Svein V. Nielsen, Museum of Cultural History, University of Oslo

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