A sound plan
CHRISTIAN GUYTON Christian likes taking things apart then putting them back together again.
“Background noise can spell doom for the sound quality in any live-recording studio, and the hum of fans inside a system can certainly be loud enough to disturb your sonic equilibrium.”
In theory, a good PC for music or audio FX editing in a studio environment needs to do two things well. The first, of course, is audio encoding and handling. With recent advancements in motherboards, it might be possible to cover this base with just a high-end board, since virtually all modern motherboards come equipped with on-board audio – the equivalent of a built-in sound card. Alternatively, you could go ahead and opt for a dedicated sound card, which is likely to provide you with better performance, or better yet an external DAC.
The other thing you want is silence. Background noise can spell doom for the sound quality in any live-recording studio, and the hum of fans inside a system can certainly be loud enough to disturb your sonic equilibrium. Low-RPM fans, along with a quiet cooler and PSU, are therefore a necessity. Manual fan control via your case is also a good idea, making it a cinch to drop the system noise to a minimum when the mics go live.
So we have two core tenets to abide by for our build this issue. Of course, a sound-studio system should also be a competent workstation PC in general, so we need a decent processor along with a discrete GPU, since using integrated graphics would put more strain on the processor, and we want this system to run cool so our fans can stick to lower speeds. Lastly, we want plenty of storage for all those chunky audio files.
This is certainly an interesting machine to plan and
