Future Music

Track by track with Mousse T

“I treated the vocals and instruments simply. When I recorded Tom [Jones] we had a chain of a Focusrite compressor, a little pre-amp, and a beautiful Brauner microphone. I didn’t even EQ the take. I just used it as it was. It sounded so organic. So I kept it like that.”

Gilbert

“This is a little intro with my friend Gilbert Cohen speaking. He also goes by DJ Gilb’R from Versatile Records.

“He sent me some remix stems for Venus [Sunshine People] by Cheek – remember that track? Anyway, he sent that on a DAT with his voice recorded at the start going [adopts a thick French accent], ‘Hey, Mousse T. This is Gilbert talking to you. Can you remix this...?’ And I just thought it was a great moment, so I wanted to use bits of that to open the album.

“I thought it was funny. It gave it that international feel with a twinkle in the eye, you know?”

Fire

“The singer on this is. When it came time for this album, I contacted her again to do some more music. We wanted another modern love song. It was the first single off this album, too.

You’re reading a preview, subscribe to read more.

More from Future Music

Future Music2 min read
Noise Labs Wrinkler mk2 £280
CONTACT WHO: Noise Labs WEB: noiselab.io KEY FEATURES Multi-mode waveshaping, Capable of folding square waves, CV controllable, Ring modulation The relatively new Eurorack company, Noise Lab, has already established itself as a developer of excellent
Future Music2 min read
Generate New Musical Ideas In Ableton Live
Ableton Live 12’s new Generative and Transformation MIDI Tools (available in Standard and Suite editions) are a great way to add musical parts that we might not come up with on our own. They apply to MIDI notes only, and are divided into two distinct
Future Music2 min read
Native Instruments Electric Keys – Tines Duo £129 or individually for £89
> Some might ask: does the world really need another Fender Rhodes piano library? I might even be one of them. However, I am also in the very fortunate position of owning a ‘real’ Rhodes Mark I Stage 73. But the truth, in fact, is not quite as straig

Related Books & Audiobooks