The Paris Review

Wishing You Were Here

FRANCESCA COLUSSI

he tradition of embroidering postcards began with the souvenir trade of the early twentieth century. The themes of these World War I–era collectibles are mainly patriotic and touchingly sentimental, having been stitched by women on the western front for soldiers writing home. These small canvases still

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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