The Atlantic

The Woman Who Made the Best Action Movie of 2020

Gina Prince-Bythewood talks about her new superhero film, Netflix’s <em>The Old Guard</em>, and how women are changing the genre.
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Gina Prince-Bythewood has never been afraid of tackling new genres. The writer and director has made three excellent films set in very different spheres: the coming-of-age masterpiece Love & Basketball, the 1960s-set drama The Secret Life of Bees, and the glittery superstar romance Beyond the Lights. But for years she’s craved the scope of a blockbuster action film, the type that studios and audiences gravitate toward in this franchise-stuffed era. She was attached to a Sony/Marvel project called Silver & Black that took place in the Spider-Man universe, but after that fell apart, she moved on to another comic-book property, a grittier series created by Greg Rucka called The Old Guard.

The resulting film, which hits Netflix tomorrow, is the best action movie of the year so far—a crisply made, globe-trotting adventure about a group of immortals who recruit a new member to their team while doing battle with someone trying to steal their powers. The Old Guard focuses on Andy (played by Charlize Theron), a 6,000-year-old warrior, but it’s an ensemble piece that digs into the strange family dynamics of a team that’s been fighting together for centuries. The new recruit, Nile (KiKi Layne), is a U.S. marine who’s wounded in battle and discovers that she has fantastical healing abilities—in addition to being functionally unkillable (though there are a few exceptions to that rule).

Prince-Bythewood is known for her exceptional attention to detail, but her prior films were smaller-scale andloses nothing by painting on a wider canvas. The director’s deep affection for every member of the ensemble helps the film stand out, as does the impressively intense and gory action, which delights in the magical healing powers of the group. I spoke with Prince-Bythewood about seeking out action projects, the dearth of female and Black filmmakers in the blockbuster space, and doing post-production at home. This conversation has been edited for length and clarity.

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