Guernica Magazine

The Loneliest City

Laura Aguilar’s Southern California photography reveals the intimacy and the isolation that have always been part of the fabric of Los Angeles.
Copyright protected. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required. Nature Self-Portrait #14 (1996) by Laura Aguilar. © Laura Aguilar Trust of 2016.

Today, we are all lonely in Los Angeles, separated in our social isolation. But this is a condition that most Angelenos have been training for all our lives. As a city, LA is one of the loneliest. 

The LA skyline evokes a muted exchange, an urbanity that seems activated only from a distance. Films teach us to admire it from afar, shot in aerial view from the dusky peaks of Runyon Canyon or the winding roads of Mulholland. LA, a smog-clotted panorama rising up behind Griffith Park and James Dean’s cocked fists.

Many argue that LA isn’t a city at all, but a series of nodes, quintuplets sharing the same womb of arid landscape. When someone says they’re from LA, I rarely know what they mean. They might mean the San Fernando Valley, Torrance, Culver City or Glendale; they often mean one of the satellite enclaves that slope around a nebulous downtown. 

LA’s geography demands little of you. Its fantastical sprawl yields few chance encounters, few obligations of exchange (this contrasts sharply with cities like New York; Olivia Laing,

You’re reading a preview, subscribe to read more.

More from Guernica Magazine

Guernica Magazine8 min read
The Glove
It’s hard to imagine history more irresistibly told than it is in The Swan’s Nest, Laura. McNeal’s novel about the love affair between two giants of nineteenth century poetry, Robert Browning and Elizabeth Barrett. Its contours are, surely, familiar
Guernica Magazine1 min read
Seeing Red
Somehow, this singular color has woven through our work this month. Alexander Lumans thusly conjures it (even embracing the eponymous Taylor Swift album) as a centerpiece of his short story “The Jaws of Life”: “Red, the color of state clay and C&Cs a
Guernica Magazine19 min readWorld
On Farms
For a country that has lost touch with any mainstream practice of farming, what does it mean for us to want to farm again?

Related