Art New Zealand

The Late Painter

Auckland University Press, Auckland 2020

MICHAEL DUNN

Colin McCahon: Is This the Promised Land?, the second volume of Peter Simpson’s magisterial study of the artist’s painting and life, picks up where the first volume ends and deals chronologically with the years from 1960 to 1987 when he died. But, as Simpson makes clear, McCahon ceased to paint some time before his death.

His last years and afterlife from 1987 to 2019 are dealt with in an important epilogue that gives a full account of his status as a painter and of his public recognition since his death. Simpson tells us that the artist had cognitive impairment as early as 1980, telling his dealer Peter McLeavey: ‘I just can’t write letters anymore―they don’t seem to happen somehow.’ About 1982 his letters stopped altogether and his wife, Anne, wrote at times on his behalf. His memory failure and alcoholism took a heavy toll.

She wrote in 1983 to Patricia France:

‘I am snatching this moment while Colin goes for his wine to write this.’ McCahon was diagnosed with Korsakoff’s syndrome which causes brain damage and eventually died of bronchopneumonia in May 1987.

His final painting, (c.1982/83), was found upside down on the floor of his Crummer Road studio after his death.

You’re reading a preview, subscribe to read more.

More from Art New Zealand

Art New Zealand10 min read
Reckoning with History Richard Lewer Paints the Waikato Wars
Richard Lewer has described his work as a form of 'contemporary social realism' experimenting with the idea of the artist as something of a social and historical commentator. Lewer the artist is a type of social anthropologist—with all the complex co
Art New Zealand20 min read
Up, Up and Away
by Gregory O'Brien Auckland University Press, Auckland 2023 MICHAEL DUNN Described by Gregory O'Brien as larger than life, Don Binney is the subject of his spacious, elegant and comprehensive book, Flight Path. It is an ambitious undertaking that he
Art New Zealand7 min read
Electric Sheep & Mythical Deer Brit Bunkley's Sculpture with/in the Digital
In pristine urban and architectural environments different species of mammals amble quietly along— either unaware, unconcerned with, or benignantly accepting of each other's presence; apex predators share warehouses with ruminants; beasts of the sava

Related