Film Comment

Wild Style

IN OVER THREE DECADES AS A COSTUME DESIGNER, Ruth E. Carter has drawn on a rich variety of influences, subcultures, and historical eras to outfit everyone from Angela Bassett in What’s Love Got to Do With It (1993) to Denzel Washington in Malcolm X (1992). Borrowing style tips from hip-hop, Afrofuturism, sneakerhead culture, and the Black Panthers, her costuming is tinged with sociopolitical intent as much as it exhibits joyous self-expression. Take Rosie Perez’s fire-engine-red dress in the opening credits of Do the Right Thing (1989), symbolizing the febrile and explosive energy of a simmering summer day; the too-tight collared shirts on David Oyelowo in Selma (2014) that gave him Martin Luther King Jr.’s neck fold; or the militant stylings of the eccentric (2015).

You’re reading a preview, subscribe to read more.

More from Film Comment

Film Comment7 min read
Crimes Against Humanity
Come and See Elem Klimov, USSR, 1985; The Criterion Collection OVER THE YEARS, ELEM KLIMOV’S MONOLITHIC Come and See (1985) has gradually evolved from muchcoveted cult object (long available in the States as a colorfaded DVD from Kino Video) to ackno
Film Comment10 min read
Can Dialectics Break Bricks?
WHAT IF WE LEFT THEIR CONTENTS ASIDE and examined their physical qualities (paper, ink, weight, etc.)?” Camilo Restrepo says in his 2015 documentary short, Impression of a War, as the camera zooms into the warped, oversaturated pages of discarded Col
Film Comment4 min read
Unstoppable
Books about all aspects of filmmaking and film culture Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer By Steven C. Smith, Oxford University Press, $34.95 FILM SCORE COMPOSERS MAY HAVE FACED THE STEEPEST uphill battle whe

Related Books & Audiobooks