Opera Canada

Notebook

Our ‘planning an opera season’ feature seems welltimed given the number of 18/19 announcements that continue to flow in. For some years now the opera company PR lexicon has seized on the buzzword ‘flexibility’—of venue, of scale, of musical and presentational style. For me, this trend hit home last May when I attended Opera

You’re reading a preview, subscribe to read more.

More from Opera Canada

Opera Canada6 min read
A Conversation With elliot Madore
LB: Hello Elliot in Zurich! EM: It’s a really special place for me. My international career started when I was 24 and I was offered a position in the ensemble program in Zurich. And it’s where I met my wife, so I always love to come back. I’m current
Opera Canada1 min read
Opera Canada
Ruby Mercer Eva Innes, Chair Robert Morassutti, Vice Chair Stephanie Applin Davida Aronovitch Dorian Block Curtis Fichtner Jason Howard Wojtek Niebrzydowski Margaret Genovese James Warrillow Elizabeth Bowman elizabeth@operacanada.ca Caitlin Wood outr
Opera Canada2 min read
For Love Of The Opera
PRICE EXPERIENCED HIS FIRST OPERA at the age of six when an aunt took him to a classic production of Aïda at the Paris Opera. With a large smile, he recalls his childhood memory: “It was wonderful! During the triumphal march, the elephant did somethi

Related