Tatler Hong Kong

Balance of Power

Japanese sculptor Kohei of the 21st century. He’s obsessed with artificial intelligence. He uses Twitter. His Kyoto studio is packed not with clay and carving knives but with iMacs loaded with the 3D modelling software he uses to shape ambitious, futuristic sculptures, many of which can only be built with the help of machines that mould materials in ways human hands never could. But when Nawa talks about his art, it becomes clear that it’s about more than technology—it’s about tradition.

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