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  • Australian Guitar

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    May 01, 2019 4 minutes
    WORDS BY MATT DORIA.
    PHOTOS BY KANE HIBBERD AND GIULIA MCGAURAN.

    It’s often argued that the best records are those with backstories penned in hell: writer’s block, drug addictions, bandmate rivalries and producers who may as well moonlight as serial killers, all collaborating to incite these volcanic eruptions of creativity. It’s been proven by everyone from David Bowie to My Chemical Romance, and judging by sales alone, one could say that in-studio turbulence is a prerequisite in the pursuit of brewing up a masterpiece.

    Alas, the latest from Alex Lahey couldn’t be more definitive proof otherwise. Following the monolithic success of 2017’s I Love You Like A Brother, the Melbourne pop-rocker buckled down with acclaimed producer Catherine Marks (whose near-flawless track record includes LPs from

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