DIARY OF A MIRACLE WORKER
Whenever a band makes it past ten records in their discography, you tend to see one of three things happen. The first is, depressingly, the most common: the integrity suffers, the quality wanes, and the records continuously churn out every few years as an increasingly desperate attempt for the artist to stay relevant and squeeze whatever pittance they can from Spotifiers yearning for their glory days. The second is similar, yet slightly more respectable: the quality of them fails to hit the highs of their first few, but the records come out every five or so years as the band continues to revel in moderate success,
