Fumi Ishino
Mar 10, 2020
2 minutes
Moeko Fujii
wo years ago, on his annual visit to Japan, the photographer Fumi Ishino started feeling that things were a little bit off. Perhaps it was the billboards gearing up for the 2020 Olympics. Perhaps it was the advertisements trumpeting a Cool Japan. Whatever it was, fifteen years after his move to, he said, of slippage, and he repeated the word softly. A feeling of , lopsidedness: a frame on the wall ever so slightly crooked.
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