Ceramics: Art and Perception

Shuitu–clay and water around the world

It was my privilege, in September of 2015, to attend the opening of Shuitu – Clay and Water around the World. The First International Ceramics Art Exhibition, Qingdao. The inauguration of what the organizers hope will become a biennial event, the exhibition drew on the combined experience and expertise of Chinese ceramic artist and independent curator, Wan Liya and the Qingdao Sculpture Gallery’s director, Ye Dongwei. A relatively recent addition to the waterfront, the Qingdao Sculpture Gallery was opened in 2012 with the aim of introducing the public to a wide range of sculptural art practices through exhibitions, lectures and cultural exchanges transcends its notions of materiality.

We mold clay into a pot, but it is the emptiness inside that makes the vessel useful. […] We work with the Chapter 11 (McDonald, 1996).

You’re reading a preview, subscribe to read more.

More from Ceramics: Art and Perception

Ceramics: Art and Perception13 min read
The Non-dualistic Beauty of Hun Chung Lee
It is widely known that Sōetsu Yanagi tried to establish a uniquely eastern aesthetic, different from western modern aesthetics, through Buddhist thinking. His craft theory, called ‘Mingei Theory’, was established through the concept of ‘nondualistic
Ceramics: Art and Perception6 min read
My Grandfather’s Marbles
My grandfather John Wilbur Carr grew up in Jefferson County, Pennsylvania in the town of Punxsutawney. His ancestors settled in Western Pennsylvania after the Wyoming Valley Massacre of 1778 forced them from the farm they had, near the present-day Na
Ceramics: Art and Perception9 min read
Wang Xianfeng: Innovating Jun Ware
Jun ware occupies an important place in the history of Chinese ceramics, named after the city of Yuzhou in Henan Province, where it was first made. Yuzhou was known as ‘Juntai’ during the Xia Dynasty (thought to be approximately 2070-1600 BC), and lo

Related