Ceramics: Art and Perception

Post Card from Wyoming

he fact that I am writing this and you are reading it is testimony to the support that we have for the continued success of these two important journals: Ceramics: Art and Perception and Ceramics TECHNICAL. During my nine years as editor, it was my goal to further the mission that Janet Mansfield had begun: to increase the quantity and quality of writing in the international field of ceramics. Now the torch has been passed again and your role

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More from Ceramics: Art and Perception

Ceramics: Art and Perception4 min read
Jane Yang-D’Haene at Bienvenu Steinberg & J, New York City
Jane Yang-D’Haene was born in South Korea and came to New York in 1984 to study architecture. Now Brooklynbased, she began to work in clay only in 2016 and is using it for tableware, lighting, furniture and vessels of the sort in this exhibition. Up
Ceramics: Art and Perception6 min read
Romancing the Stone
Onta is a potter’s dream destination. Internationally renowned, Onta (also known as Onda), is a mountainside village which lies in the centre of Sarayama, a valley in Kyushu’s Oita Prefecture, Japan. Within its picturesque rural setting, there are ju
Ceramics: Art and Perception13 min read
The Non-dualistic Beauty of Hun Chung Lee
It is widely known that Sōetsu Yanagi tried to establish a uniquely eastern aesthetic, different from western modern aesthetics, through Buddhist thinking. His craft theory, called ‘Mingei Theory’, was established through the concept of ‘nondualistic

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