Art New Zealand

Island Imperatives The Second Honolulu Biennial

Arriving in Hawai‘i is a confrontation with reality.

As with Aotearoa New Zealand, Hawai‘i has to deal with an image of an exotic, far away holiday location, where cocktails are sipped against endless sunsets.

Truth be told, there is an element of this to the capital Honolulu, one that soon vanishes on visiting the sites of the second Honolulu Biennial.

Curated by Te Papa’s Nina Tonga with a team that includes Devon Bella, a curatorial consultant from San Francisco, and Josh Tengan, a curator living and working in Honolulu, the Biennial is titled To Make Wrong / Right / Now. It questions the image of Honolulu as an American city, transforming it into one of the most engaging, truthful and supportive exhibition platforms to be witnessed in the wider Pacific.

What unfolds through this powerfully direct exhibition is in fact a complex

You’re reading a preview, subscribe to read more.

More from Art New Zealand

Art New Zealand19 min read
Exhibitions
Two Rooms, 6 October-4 November MICHAEL DUNN Geometric abstraction is a style of painting that has a relatively small but distinguished place in New Zealand contemporary practice. Its best-known local exponent is arguably the late Gordon Walters (191
Art New Zealand14 min read
Cecil & Elizabeth Kelly Two Canterbury Painters
In 1933 Elizabeth Kelly was described as New Zealand’s foremost woman portrait painter and compared to Laura Knight in Britain.1 So who was she and what did she and her husband Cecil Kelly bring to New Zealand art? Cecil and Elizabeth Kelly had caree
Art New Zealand2 min read
Contributors
Don Abbott, Deputy Editor of Art New Zealand, is the author of Vivid: The Paul Hartigan Story and Elizabeth Rees: I Paint. Janet Abbott is a writer and researcher whose interests include the work of Cecil and Elizabeth Kelly, and Canterbury art. She

Related Books & Audiobooks