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  • ArtAsiaPacific

    JANET LAURENCE

    May 01, 2019 2 minutes
    CHLOÉ WOLIFSON

    heets of sheer fabric hung in a dim gallery in Sydney’s Museum of Contemporary Art Australia (MCA). Each banner bore a drawing based on photographs of old-growth forests. Wandering through the concentric circles of voile, viewers were enveloped with dappled light and heard the birdsong of the endangered black cockatoo, before reaching a shaft of light at the work’s core. The installation, (2018–19), commissioned for Janet Laurence’s first

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