Music Tech Focus

Goldfrapp

In 1999, hustling session player Will Gregory was introduced to backing vocalist Alison Goldfrapp and the electronic-pop duo Goldfrapp was born. Despite their now cult status, initial albums Felt Mountain and Black Cherry only vaguely registered with the record-buying public. Yet Goldfrapp were merely preparing for lift off and have remained an immovable force in electronic pop ever since.

Behind the scenes, they’ve have had to cleverly manoeuvre through the rise of EDM and the record industry’s digital landscape, while remaining true to the ethos that initially made them relevant. Supernature (2005) successfully planted itself in the dance-music realm, while subsequent albums Seventh Tree (2008) and Tales Of Us (2013) shrewdly adjusted by introducing elements of ambient, downtempo and even folktronica.

After a four-year sabbatical – during which self-confessed vintage gearhead Gregory performed a Moog Ensemble of Wendy Carlos’ groundbreaking work – it was back to the studio to rejoin his longstanding writing partner. On Goldfrapp’s latest album, Silver Eye, Gregory once again mines the analogue realms, while exploiting the benefits of digital technology and collaborations to further expand the duo’s sonic boundaries.

MusicTech:We read that, in the 80s, you recorded and toured with Tears For Fears. How did you get involved in the industry and working with them?

I was a classical bod, really. I used to play oboe and at county youth orchestras. I went to college at York and got exposed to a fantastic studio there; not by today’s standards, but pretty good at the time. It was a tape-based studio and I spent long periods of time just getting used to the whole thing of flashing lights, dials and knobs. I went to America for a year, studied jazz and when I came back, I was a good enough sax player to get myself session work. That’s how I met the Tears, because they wanted a sax player. It was at that time in the 80s when everybody had one; it was de rigueur, which was fantastic for me. We did a couple of big tours

You’re reading a preview, subscribe to read more.

More from Music Tech Focus

Music Tech Focus6 min read
PIONEER DJ Toraiz Squid
£519 Pioneer DJ already dominates the DJ booth with its range of CDJ players and DJM mixers and in 2016, the company turned its attention to a more musical range of devices aimed at live electronic-music performance and studio use – the Toraiz range.
Music Tech Focus6 min read
FOCAL Clear Professional
£1,228 Headphones are certainly becoming more important for music production, as more and more people take up this most satisfying of pursuits, only to perhaps find out they don’t always have the ideal setup or space for ‘proper’ monitoring. Manufact
Music Tech Focus1 min read
Akai Pro Force Overview
1 One of Force’s three main control areas, the display can reflect what’s happening with the pads, or show something entirely different, like the mixer, MIDI note sequencer, sampled waveforms, or instrument and effect plug-in parameters. Great for mu

Related Books & Audiobooks