Music Tech Focus

ALL ABOARD THE MOTHERSHIP

“I’ve always been a musician, but for a long time I played more acoustic, Americana-type material.” A surprising admission from Julie Kathryn, aka New York’s synth-pop star I Am Snow Angel, who’s been receiving plaudits for both her intense, emotive performances and her richly textured mixes. “I now produce my own projects and also work with a lot of other songwriters, and I love to collaborate with a lot of other artists, particularly women. I live and breathe music completely.”

Julie has now learned the art of production, and her way around the latest electronic performance tools so has her sights on playing live… with Live.

“I’m influenced by both the auditory and the visual”

“My tracks were coming out really well and I realised that I was going to have to perform them live. I didn’t really want to – I was terrified. So shortly thereafter, I thought about using Ableton Push for live performance, because I had to have a way to transfer these quite complex mixes onto the stage without it sounding all stripped down. I started working with [MusicTech’s contemporary production specialist] Erin Barra, who is just amazing. She lived in New York at the time, so we started hanging out and she’d tutor me one-on-one with Push for about a year. Erin taught me everything.”

Aside from the technicalities of Push, working with Erin made Julie realise that her gender was no barrier to learning more about

You’re reading a preview, subscribe to read more.

More from Music Tech Focus

Music Tech Focus3 min readTechnology & Engineering
TUL MICROPHONES G12 Retro
FROM $289 The journey to creating the G12 Retro Guitar Mic began with a request from Kevin Shirley, engineer to Iron Maiden and Joe Bonamassa, to build a microphone that simplified guitar-amp recording. Answering that request was studio musician and
Music Tech Focus6 min read
Exploring Connectivity: Part 1 In Ableton Live
Unless you really want to be a musical hermit, you’ll eventually need to add other gear to your setup. We’ve seen this first-hand and know how daunting it can be initially, but we’ve also seen how quickly people get over the hump, adding more compone
Music Tech Focus1 min read
Do I Really Need This?
Tough question. We’d still only recommend critical mixing on headphones if you really can’t experience true monitoring because of practical reasons, or it’s your secondary monitoring scenario. If that’s the case, you don’t really want to spend four f

Related Books & Audiobooks