LOUDNESS CONTROL IN LOGIC PRO X
ore than any other part of the music-production workflow, mastering seems to evolve and adapt dramatically. The reasons behind these fundamental shifts can be explained by both an evolution in music formats and, more intriguingly, changes in peoples’ taste in respect to the perceived ‘sound’ of recorded music. In MusicTech’s lifetime, we’ve seen the fading out of the disc format and the rise of streaming, plus the unexpected rebirth of vinyl, and all largely in the last decade. Likewise, the so-called Loudness Wars
