MATERIAL SYMPHONY
had a lot of outside influences. For one, an internship with starchitect Jean Nouvel led to a three-and-a-half-year full-time position in the Frenchman’s Parisian studio. Nouvel’s trademark is the absence of one – famously, he has no signature style. Next, Thulstrup moved to New York City to work for Peter Marino, whose outspoken interiors for high-fashion brands might leave some Scandinavian minimalists cowering in the corner. Thulstrup wasn’t thinking about personal tastes at that point; he was trying to learn from whom he considered to be the
