CREATIVE COLORS
Dec 03, 2019
2 minutes
by Jimmy Brown
at interesting, effective ways in which songwriters have a chord from a major key’s parallel minor, such as the often-used “IV - iv - I” (four major, to four minor, to one major) move we looked at last time, I’d now like to reference additional examples of this practice from a few well known songs that beautifully illustrate some less common but equally appealing chord-borrowing options
You’re reading a preview, subscribe to read more.
Start your free 30 days