Harper's Bazaar India

THE COLLECTOR’S CODE ART

JAGDIP JAGPAL

DIRECTOR, INDIA ART FAIR

“I say this all the time: Value is in the eye of the beholder, and a thing is only worth what you are prepared to pay for it,” says Jagpal, on the topic of securing a ‘good deal’ on a work of art. “I know that negotiating on a price is more common here than in some parts of the world. I just take the view that if you went into a Prada store, would you ask for a discount? No. Collectors have to ask themselves that question.”

Rather than analysing an artwork, Jagpal looks for an emotional reaction—spiritual, inspirational, or impactful for personal reasons. “It is always very subjective,”

You’re reading a preview, subscribe to read more.

More from Harper's Bazaar India

Harper's Bazaar India3 min read
The Mistress Of Stories
When Chitra Banerjee Divakaruni, the author of over 20 fiction books including, Palace of Illusions, The Forest of Enchantments, The Last Queen, and The Mistress of Spices, among others, was approached to write the biography of one of India’s most ic
Harper's Bazaar India4 min read
The Yarn Story
There’s a common image of older women in India knitting sweaters for their families as winter approaches. But if we look back, knitting has a longer history in our country. It goes back to the time of the Mughal Empire from the 16th to the 19th centu
Harper's Bazaar India2 min read
Page Turners
This novel by DH Lawrence was originally published in 1928, and explores the emotions of a lonely woman who’s trapped in a sterile marriage. The book presents her growing love for the robust gatekeeper of her husband’s estate—portraying an extramarit

Related