STRANGE DAYS
Early on in his career, when filmmaker Hiro Murai was in need of new ideas, he’d climb into his car – at night – and set off on a long and aimless drive through the shimmering mass of Los Angeles.
He’d drift off into daydreams as he made his way through the city’s various pockets and neighbourhoods. “It’s like washing dishes for me: your hands are busy, but your brain can sort of float away and wander,” he explains. “But yeah, I do it less now. I used
