Welcome Back My Friends
, Emerson, Lake & Palmer’s grand progressive opus of November 1973, was the one LP I knew I could play for my fraternal grandparents to show them rock music was as legitimate an aural artform as classical or jazz. When I first cued up the original Manticore/Atlantic vinyl on their stereo console during an early-1980s visit, I began with the one-two tandem of ELP’s reimagining of Hubert
