N-Photo: the Nikon magazine

Creative composition

Nigel is a commercial photographer based in Talybont-on-Usk, in the heart of the Brecon Beacons. He’s best known for his landscape photography and workshops, but doesn’t tie himself down to one genre.

www.nigelforsterphotography.co.uk

www.creativephotographytraining.co.uk

No matter how technically competent we are with our cameras, at the heart of great photography is composition. It’s also the aspect of photography that many enthusiasts find most difficult. At the outset, it’s worth pointing out that this article is less about pre-planned images (i.e. going to a location and getting the best picture you can of it) and more about spontaneous photography, where something has caught you eye and you respond with your camera accordingly. That’s not to say you can’t explore a familiar location with your camera and create your own take on it, but be aware that when photography becomes a wish list of ‘great places to take pictures from’, it can stifle creativity, as it may blind you to other potential opportunities.

So we’re looking at how you can explore, think and visualize abstractly when out with your camera. If your images suffer from unwanted features or clutter, they struggle to convey what caught your eye when you first looked at the scene in front of you, or simply lack that ‘impact’ you’re looking for, then we hope this article will provide a few ideas that can really take your shots to the next creative level.

WHY AM I TAKING THIS PICTURE?

It is very easy, particularly in the digital age, when it costs nothing to fill a memory card, to fire away taking lots of pictures in the hope that some will produce results. But why not pretend you have film in your camera and take care over every shot? A more measured approach to photography often yields more consistent and higher quality results.

So, before pressing the shutter, ask yourself, ‘why am I taking this picture?’ What is it about the scene in front of you that’s encouraged you to pick up the camera? Your answer to this directs everything you do from that point on. It will dictate the camera

You’re reading a preview, subscribe to read more.

More from N-Photo: the Nikon magazine

N-Photo: the Nikon magazine2 min read
Wacom One by Wacom
From £35.99/$49.95 www.wacom.com Graphics tablets can be a welcome alternative to hunching over a trackpad and can even enhance your workflow, when using brushes for tasks such as dodging and burning. Some boast thousands of pressure levels, shortcut
N-Photo: the Nikon magazine1 min read
Defining Fine Art
What makes a fine art print? What’s your interpretation? I’m not sure that anybody has come up with the definitive definition, but a fine art print to me starts off with an image that somebody wants to put up on their wall as a piece of art. For exam
N-Photo: the Nikon magazine3 min read
Ask Matthew…
Q I’m going to the Atacama Desert and want a faster, more compact wide-angle lens than my Z 14-30mm f/4 for shooting the night sky. What would you suggest? Bruno Wägli A I have the Nikon Z 14-30mm f/4 S myself and think it’s a phenomenal lens – with

Related Books & Audiobooks