MISSION IMPOSSIBLE

There’s a good reason why you’ll never hear a covers band attempt Frank Zappa’s Hot Rats. It’s impossible. It’s unperformable. It’s unfathomable. Even putting aside the art-rock icon’s leftfield guitar virtuosity, the 1969 album is a tapestry of overdubs and tape manipulation, a web of sonic subterfuge and obtuse one-offmanship, with makeshift ‘instruments’ that include a plastic comb and a mechanic’s wrench. Given that even Zappa himself couldn’t recreate these tracks on the stage – what hope do mere mortals have?

But that hasn’t stopped Dweezil Zappa accepting the challenge. For the last 13 years, the fabled guitarist’s talented son has been the frontman and driving force behind Zappa Plays Zappa: a passion project that seeks to keep his late father’s music alive. Now, in a new chapter that has seen the guitarist slip between the roles of detective, genealogist and gear anorak, Dweezil has dissected every last element of Hot Rats – from signal flow to studio tricks – and he will present the results at seven UK dates in December, starting at London’s Royal Festival Hall.

“We want these shows to be like a time machine,” he says.

What made you want to bring Hot Rats to the stage?

“Well, it’s always been one of my favourites. I have a connection to that record that’s more than just musical, because it was made, compared to the early Mothers Of Invention stuff, there’s a different feel. It’s got a ton of attitude, y’know, songs like and have some ripping guitar. But then it’s got compositions like , where you think, ‘How did he come up with this stuff?’ There’s a couple of songs he never played live, too, like and . You won’t find live versions of those anywhere; they only exist on .”