Aperture

Bruce Jackson On the Inside

Among other things, the American prison system is designed to keep a purportedly disagreeable or disposable portion of the population out of sight and out of mind. The same walls that keep prisoners in are intended to keep prying eyes out. The secret lives of prisoners—their living conditions, their social systems, their codes—are, in the free world, virtually invisible, and, therefore, unknowable. Breaking through these barriers, folklorist and photographer Bruce Jackson has, for over fifty years, tried to get inside the penitentiary walls to tape-record, film, and photograph inmates, not only to document their unique cultural forms and social microcosms, but also to make a clamorous case for prison reform and prisoners’ rights.

Like many documentary photographers of the 1960s and 1970s, Jackson developed a unique approach to infiltrating and re-presenting otherwise unknown aspects of seemingly impenetrable and forbidding subcultures. Between 1964 and 1979, he compiled extensive studies of the social behavior of prisoners in Texas and Arkansas state prisons, and his research was presented in dozens of scholarly books, essays, films, and audio recordings. In 1964, while a visiting fellow at Harvard University, he first traveled to Ramsey prison farm, near Rosharon, south of Houston; it was Freedom Summer, a period of especially high racial tension in the South. Jackson’s goal—as noted in

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