AMERICAN THEATRE

OFFSTAGE

The show looks like quite a workout—you’re all running all over the set all the time. How do you prepare for that?

I try to stay limber and available to my body and flexible and adaptable and all of that. But I think also, when you’re working onstage, the audience puts extra energy into it too, because they’re so challenged, and they’re sitting forward or taken aback. They offer a lot of that fuel,

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