THE GREAT MAGIC MASTER
known on this planet as Lee “Scratch” Perry is not, he says, a human being as such. We do know that the Jamaican producer/singer/soundbedeviler’s development of dub music in the 1970s has made him an earthly legend. Perry’s wildly original methodologies of remixing and using studio effects to birth brain-skewing new versions of existing reggae tracks has been massively influential. He’s worked with
