The Paris Review

Feminize Your Canon: Iris Origo

Our column Feminize Your Canon explores the lives of underrated and underread female authors.

Iris Origo (courtesy La Foce)

Iris Origo might be the most self-effacing writer ever to gain renown as a diarist. Her reputation rests on her unique perceptions of others. As an aristocratic landowner in mid-twentieth-century Italy, she bore witness to all strata of Italian society during the long rise and precipitous fall of fascism.

The external circumstances of her life were unquestionably extraordinary. She participated in the final glittering years of prewar Europe’s cosmopolitan society; transformed a region of Italian countryside into a home still visited today for its beauty; and housed, during World War II, escaped prisoners and fleeing refugees. Her writing about this time evinced truths rarely seen in the narratives of historical texts, and did so through illustrative anecdotes that captured the people of the period and what they were feeling. In her diary of the years leading up to the war, , there is, for instance, an ever-increasing sense of being shut off from the rest of the world. Letters from England arrive a month late. What little reading material people can access becomes restricted. Origo recounts meeting, at a dinner party, a grad student who spends his nights, with fellow students, sitting up copying by hand an illicit essay about dictatorship. Iris writes

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