The Atlantic

What Fan Fiction Teaches That the Classroom Doesn’t

Everyone leaves feedback and reviews for one another, leading to a sprawling, communal learning environment.
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N. K. Jemisin, the only author to win the prestigious Hugo Award for best science-fiction or fantasy novel three years in a row, partly credits fan fiction for her ability to draw in readers.

Jemisin started writing fan fiction, in which authors imagine new stories based on preexisting fictional works, while in grad school for counseling. “I was miserable and lonely. I didn’t have a lot of friends, or stress relief,” she told me. “Around then was when I became internetted, and one of the first communities I discovered was a fan-fic community.” Through talking  with other authors and writing her own stories about Dragon Ball Z (among other things), she found friends, got feedback, and, as she put it, “blew the cobwebs off writing abilities I hadn’t used since college.”

For instance, this writing helped her hone her ability to hold readers’ interest. “Fan fiction tends to have a built-in hook because it’s written in a world story.” To this day, Jemisin said, she still writes fan fiction, and treats it as a way to try out new genres and skills, such as using the second person, which she does in the trilogy, which earned her the three Hugos.

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