The Paris Review

García Márquez’s Five Favorite Cocktail Stories

On the occasion of an exhibition dedicated to Gabriel García Márquez in Bogotá, Colombia, Santiago Mutis Durán, the son of Márquez’s close friend Álvaro Mutis, gathered together small author-less stories that Márquez had written down or told over the course of his lifetime. Mutis Durán’s essay was originally published in Conversaciones desde La Soledad magazine in 2001 and has been translated for The Paris Review by David Unger.  

GARCÍA MÁRQUEZ IN HIS HOME IN MEXICO IN 2003. PHOTO: INDIRA RESTREPO.

We’ve all heard the kinds of stories that get passed around, author-less and persistent. I once heard Gabriel García Márquez tell the Mexican poet Adolfo Castañón one of these “unsigned” stories:

A young couple, a bit tired of city life, decided to move to the country with their two Labradors. Once settled into their little country house, they became friends with their neighbors, a couple that had fruit orchards and raised rabbits. One morning, their neighbors came over to say that they were going to town and would return the following day. The morning passed peacefully, but in the afternoon, the Labradors came into the kitchen

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review1 min read
Mother
The bird was blue and grayLying on the stairsThere was somethingMoving inside of itAnd still I knew it was deadI promised my motherI wouldn’t touch anythingThat had been long goneInside something turned and wiggledThere’s a kind of transformationThat
The Paris Review19 min read
The Beautiful Salmon
I’ve always loved salmon. Not to eat, as I don’t eat fish, but I’ve always loved salmon in general because salmon jump and no one knows why. They jump all over the place—out of rivers, up waterfalls. Some say they jump to clean their gills. Others sa
The Paris Review2 min read
Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

Related