The Atlantic

The Photographer Who Captured 20th-Century Queer Life

Joan E. Biren’s images from the ’70s and ’80s—which appear in the new exhibit “Art After Stonewall”<em>—</em>reflect an effort to document and encourage lesbian love.
Source: Kristine Eudey / Leslie-Lohman Museum

Updated: 2019-06-19
Editor’s Note: This article is part of a series about the gay-rights movement and the 50th anniversary of the Stonewall uprising.

In her classic 1975 self-portrait, the lesbian photographer Joan E. Biren (or “JEB,” as she is more commonly known) tacitly shifts the meaning of a road sign. Smiling, with a glint in her eye, she leans comfortably against the post, her confident posture signaling a reconfiguration of the word emblazoned above her head: points not to the Virginia town the sign is announcing, but to the photographer herself. (1975) is a reclamation of the slur and a confrontation with all but JEB’s most kindred

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic5 min read
The Strangest Job in the World
This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here. The role of first lady couldn’t be stranger. You attain the position almost by accident, simply by virtue of being married to the president
The Atlantic5 min readAmerican Government
What Nikki Haley Is Trying to Prove
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Nikki Haley faces terrible odds in her home state of
The Atlantic3 min read
The Coen Brothers’ Split Is Working Out Fine
It’s still a mystery why the Coen brothers stopped working together. The pair made 18 movies as a duo, from 1984’s Blood Simple to 2018’s The Ballad of Buster Scruggs, setting a new standard for black comedy in American cinema. None of those movies w

Related