Artist Profile

DEBRA PORCH

It was in the mild, northern winter of 1981 that I first met Debra Porch at San Diego State University. I’d arrived in January to teach the spring semester in the enamel studio of the university’s art department. Debra had completed her Master of Arts there a few years earlier (in drawing and printmaking) and had remained friends with several students, including Christina who was the lab assistant in the workshop where I spent that semester.

At the time Debra was living in Los Angeles (LA) and working at First Impressions, an all-women workshop led by Georgia Bragg producing limited edition prints for artists. Late that summer Debra took me to a Bruce Springsteen concert at the LA Sports Arena, to Dudley Moore playing Gershwin at the Hollywood Bowl, and to a support party for Gore Vidal (who was

You’re reading a preview, subscribe to read more.

More from Artist Profile

Artist Profile4 min read
Ivan Sen
When I was researching the film, Rabbit-Proof Fence, 2002, which tells the story of three “halfcaste” girls taken from Jigalong in Western Australia in 1931, a friend of mine, an anthropologist, said to me, “Things are worse now.” I’m afraid he may w
Artist Profile4 min read
Unpredictable In Its Predictable Unpredictability
On first impression, the ARNDT Collection is a Lewis Carroll mischmasch of international twentieth century big name European trophy artists sprinkled with known Australian artists. There are some edgy stunners presented and challenging gambles on yet
Artist Profile4 min read
Kandinsky
So reads a wall text at the entrance to the Art Gallery of New South Wales’ Kan dinsky, serving as a reminder that the artist’s aspiration towards the spiritual in painting was not solely a matter of self-realisation, but reflected a monumental ambit

Related