The Guardian

What we can learn from Tina Fey’s workplace comedies

From Mean Girls to 30 Rock, Fey’s comedy dissects the everyday stresses of working life
Fey it till you make it... Tina Fey. Photograph: NBC/Getty Images

They say “write what you know” and Tina Fey knows a lot about work. Specifically, working in live TV (she was on Saturday Night Live from 1997 to 2006). She turned that experience first into the Emmy-winning 30 Rock, and later brought it to her producer role on another workplace sitcom, Great News. Even her non-office-based projects – Unbreakable Kimmy Schmidt and Mean Girls – revolve around power dynamics, people management and everyday stresses; stuff that’s not funny until Fey turns it into a Netflix hit.

It is no surprise she’s now something of an expert. Recently, on podcast, Fey recounted the time invited her to help save the UK’s television industry. “I said:] made 13 episodes of The Office and Greg Daniels and made like a thousand … so I sort of said I can’t.” Really, though, there was no need to fly her in as a de facto management consultant; she has been imparting her special brand of workplace wisdom for her entire screen career. Here are the main take-aways …

You’re reading a preview, subscribe to read more.

More from The Guardian

The Guardian4 min read
The Golden Bachelor’s Older Singletons Have Saved A Franchise
Strange as it may sound, one of the hottest shows on TV this fall has been … an old dating series now catering, for once, to senior citizens. That would be The Golden Bachelor, a new spin-off of America’s pre-eminent dating series in which a 72-year-
The Guardian6 min read
From Kurt To Elvis, JFK And More, What Movies Did Stars See Just Before They Died?
Clad in black and wearing a cheeky-chappie grin, the artist and author Stanley Schtinter resembles Damon Albarn dressed as an undertaker. That suits his new book, Last Movies, which refracts cultural history through the prism of films watched by nota
The Guardian4 min read
Michael Bishop obituary
Michael Bishop, who has died aged 78, wrote many stories that inhabit the borderlands between science fiction and mainstream, drawing on influences as diverse as Ray Bradbury and Jorge Luis Borges, Thomas M Disch and Philip K Dick, Dylan Thomas and T

Related Books & Audiobooks