India Today

A feminist biennale

More than half the artists at the Kochi-Muziris Biennale this year were women, setting the stage for a feminist makeover of the indian artscape.

"Give it to the women"

-Anita Dube, curator, Kochi-Muziris Biennale

At the Aspinwall House in Fort Kochi, you cross a dark hall to emerge into the light and come face to face with a collage that is a mix of poetry, text and miniature painting. Titled 'Salam Chechi', the work is artist Nilima Sheikh's ode to the Malayali nurse.

In one frame, against an intense blue background is an outline of a girl and a hospital bed in stark white.

"It could be me," says Sheikh. Indeed, there is a touch of the autobiographical, a portrait of the artist as a young girl. She would often accompany her doctor father to hospital, sketchbook in hand. It is where she learnt to paint suffering.

In another frame, a woman is shown being tended to by two nurses. She is a victim of domestic abuse. The words of poet-nurse Constance Studer flow alongside:

"...an admission arrives domestic abuse

we know this woman well

the ER nurse says.

We couple the fragile woman

To bubbling tubes and catheters

And monitors unconscious,

Fine skin with deeply incised

by both eyes..."

The panel in the middle has a woman supported by two nurses on either side while a third stands on the side with a drip. "That image is interesting," says Sheikh, "because it is very dear to me. There is a famous

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