The Atlantic

<em>Game of Thrones</em>: A Spectacular Battle, With One Big Disappointment

Our roundtable on "The Watchers on the Wall," the ninth episode of the fourth season of the HBO show.
Source: HBO

Spencer Kornhaber, Christopher Orr, and Amy Sullivan discuss the latest episode of Game of Thrones.


Orr: You know nothing, Jon Snow.

So last week, showrunners David Benioff and D.B. Weiss killed off Oberyn Martell who, as played by Pedro Pascal, was among the most exceptional supporting characters on the show. This week, they killed off Ygritte who, as played by Rose Leslie—well, you get the idea. Viewers who complain that the show delights in getting us attached to characters only to then brutally murder them will have plenty to complain about. And the season’s still not over…

That said, it could have been more heartbreaking—and, as a book reader, let me say it should have been more heartbreaking. But I’ll come back to that in a minute. Let me start instead with the obvious: This was bravura cinema-on-TV, a production on a scale that would have been unimaginable in the medium just a few years ago. Neil Marshall, who directed the “Blackwater” episode in season two, was brought back for this latest clash and, as he promised, it was an immense undertaking: giants, mammoths, flaming arrows, a massive ice axe scything its way down on a chain—from the perspective of sheer spectacle, “The Watchers on the Wall” had it all.

I also liked the opening scenes of the episode, with their peculiar love-is-a-many-splendored-thing vibe. Sam explains to Jon that a second-hand sense of Getting It On is the best he’s ever likely to get, and.”) Finally, we have Maester Aemon reading Sam as easily as he might once have any of the books in his under-utilized library, culminating with my favorite line of the episode: “Nothing makes the past a sweeter place to visit than the prospect of imminent death.”

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