The Atlantic

Kehinde Wiley on Self-Doubt and How He Made It as a Painter

The artist behind Barack Obama’s presidential portrait talks about developing his skills at a junk store.
Source: Evan Agostini / Invision / AP / Katie Martin / The Atlantic

By age 12, Kehinde Wiley had a reputation in his Los Angeles neighborhood for being a talented artist. Teachers at his school recommended him for a program during which he spent the summer of 1989 in Russia with 50 Soviet kids and 50 other Americans, creating murals, learning the Russian language and culture, hiking, swimming, and picking mushrooms. “It was a strange, magical time,” he recalls.

Wiley went on to study art at the San Francisco Art Institute and Yale. He now has a studio in Brooklyn, and Barack Obama chose him to paint a lively portrait of the former president that now hangs in the National Portrait Gallery.

I recently spoke with Wiley about traveling to Nigeria to meet his father for the first time after having painted portraits of him for years, dealing with criticism, and the importance of slowing down. This interview has been lightly edited and condensed for length and clarity.


Lola Fadulu: What was your mom’s work schedule like?

Kehinde Wiley: My mother, while raising six kids, had a number of small-business activities. The most prominent one in my memory was sort of like a junk store.

She would be away, in the earliest years, much of the day. Then she would be around more in the late afternoons, evenings. When we weren’t in school, we would be around the shop, and I remember learning Spanish dealing with a lot of the customers there.

Aside from learning Spanish, was there

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