The Paris Review

Love Is Claustrophobic: An Interview with Mark Mayer

On the surface, Mark Mayer seems like a normal enough guy. He’s polite, a little awkward, and a little anxious to please. When we were at the Iowa Writers’ Workshop together, it was his job to set up the chairs and the mics for readings, and the chairs were always arranged in nice, straight, punctual rows. His stories, too, have a veneer of normalcy. Model-train enthusiasts dutifully mind their toys, a nephew worries about his anorexic uncle, a parks-and-rec employee tries to get laid. But you can sense, beneath the normal, an abiding weirdness and darkness, a fascination with the sinkholes in the back of the mind, the places where consciousness plunges through the cloud floor of this world and into some other one.

Mark’s weirdness has something to do with tenderness. Weirdness for its own sake is just quirk, but in Mark’s stories, solid-state relationships undergo a phase change right at the moment when love gets hard. A nephew worried about his aunt and uncle sits in the kitchen creating patterns in the linoleum squares, telling himself there must be some combination that will “unlock” the

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