The Paris Review

Chartreuse, the Color of Elixirs, Flappers, and Alternate Realities

F. X. Leyendecker, The Flapper. 1922

Let me tell you about a color that began as a fabled drink. It tasted harsh and punishing, like medicine. It began as a mythic elixir, and then later became a fashionable green: a color for flappers and Oscars-goers. Some time later, in the minds of many, it mistakenly became red—a deep maroon, the dark color of dried blood. Let me tell you about chartreuse.

But first, pour yourself a glass and watch as the liquid, green as the fresh growth on spring trees, drips from the bottle. It doesn’t matter whether you like the taste. You’re not drinking it for that reason. Chartreuse, like other herbal liqueurs, is an elixir of life. A cure-all, good for digestion and headaches, for sleeping like an infant and living until you’re ninety. Even if you haven’t had Chartreuse, you’ve probably tasted something similar. Italy has Fernet (a favorite of American bartenders for sipping on the clock, or so I’ve heard), Poland has Krupnik, Portugal has Beirão, and Hungary has Unicum (syrupy thick, black and bitter—my personal favorite). These strange drinks still taste of strong magic; it’s easy to imagine that Chartreuse could cure you. It’s no absinthe.

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