The Paris Review

Staff Picks: Jewel Thieves and Drunken Companions

The comedy of the New York girl abroad, exemplified in Elaine Dundy’s The Dud Avocado, is high among my favorite genres, followed closely by the tragedy of the New York girl abroad— is one among many Jamesian examples. Eve Babitz’s , originally published in 1993, is both the comedy and the tragedy of the Los Angeles girl on her home coast, and it elevates one of my less-favored genres, the personal essay. These autobiographical “stories” are peopled with sad, handsome men (thus the comedy). The tragedy is the denouement of the preceding decades, which is more readily on display in her interactions with women. Babitz lunches in the L.A. heat, dressed comfortably and mindful of her newly middle-aged metabolism, watching her companion, an effortlessly svelte woman her age, fully made-up and dressed in a fine white pantsuit, devour a hamburger, a bourbon, then a custard, a rare holdout of refined excess. The blinding twilight of a bygone era in Los Angeles is Babitz’s lived experience, distilled here into stories with sweet bite, like sour fruit only just past the point of ripe.

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The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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