The Millions

Our Florida, Hers and Mine

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U.S. Highway 1 stretches the length of Florida, linking Key West to Jacksonville and hurtling beyond Maine. Southbound from the state line over 550 sun-soaked miles, drivers experience the Floridian landscape in geologic rewind: northern moss, central muck, and southern swamp. At the tip of this clay-and-shell empire, U.S. 1 leaps off dry land, the humid air thins to breeze, and as drivers cross the seven-mile bridge, they cruise over the same sea their ancestors crawled out of long ago. If newness foretells the future, then Florida’s relatively recent emergence from the ocean parallels its relatively recent dominance of the country. It was Florida that shot a rocket to the moon, ushering in the modern age. Since then, it’s been Florida that’s decided our elections. This year, we’ve all noticed that as go Florida’s youth, so goes our discourse. (It’s not a coincidence that blood won’t dry in the swamp where nothing else can, either.) Yet as parents will attest, newness is stalked by threats—even if only imagined. What’s most vulnerable is most precious and most in need of protection. But can’t threats be beautiful? Azaleas are gorgeous, but they’re toxic, too.

I’ve been thinking about this since finishing ’s , the author’s new story collection. In 11 pieces, Groff explores her adopted state, probing the ways its inhabitants live with it rather than in it. They always have. Residing in Florida means appreciating its beauty: tree vines “look like snakes”; a man has “alligatored” skin; a hen has a “lizardy eye.”

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