The Paris Review

Six Books We Could and Should All Write

Let’s make sure we’re all understanding each other. I’m not talking about novels and plays and poems. And I’m definitely not talking about great novels and plays and poems. It’s pointless to tell people to write stuff like that. Even the ones who want to can’t. And of course, most people don’t even want to.

My topic is different. It’s books anybody could write. Every single thing I’m about to describe, you wouldn’t need any talent to produce it. You wouldn’t need any talent, and you wouldn’t need any understanding. All you’d have to do is stick with it. A little mimicry would help, but that’s really it. That’s why this list is good. Door’s wide open; everyone is invited. And you know what? You’d be producing something of value. At the very least, you yourself would value it. These are your models. Your versions will not be as good as these books. But they will be good just the same.

 The Diary of Samuel Pepys

Everyone should write this thing. In the modern supremo-supremo version, pictured above, it’s eleven volumes. The last two are the reader’s guide and the

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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