The Paris Review

The End Is Here!

Gustave Courbet, L’origine du monde, 1866.

The great artists see it coming.

Back in their native Soviet Union, in the 1960s, collaborative artists Alexander Melamid and Vitaly Komar fashioned a body of work that deployed socialist realist tropes in comically magic realist and even downright Warholian terms, anticipating,

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EDITOR EMILY STOKES MANAGING EDITOR KELLEY DEANE McKINNEY DEPUTY EDITOR LIDIJA HAAS ASSOCIATE EDITOR AMANDA GERSTEN WEB EDITOR SOPHIE HAIGNEY ASSISTANT EDITORS OLIVIA KAN-SPERLING, ORIANA ULLMAN EDITORS AT LARGE HARRIET CLARK, ANDREW MARTIN, DAVID S.

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