The Millions

Those Who Left Us: Select Literary Obituaries of 2017

Poets, editors, songwriters, teachers, journalists, novelists—some great writers and some under-sung ones left us this year. Here, in chronological order of their deaths, is a selective compendium of literary obituaries from 2017.

Bharati Mukherjee
Bharati Mukherjee was born in Calcutta, educated in England, Switzerland, and India; she earned advanced writing degrees in the United States, and lived more than a decade in Canada—a peripatetic life she mined to write fiction about the aspirations and dislocations of immigrant life. Mukherjee, who died Jan. 28 at 76, grew up in a rich Hindu family, “bubble-wrapped in innocence,” as she would say later. Shortly after arriving at the Iowa Writers’ Workshop, where she studied under Philip Roth, Mukherjee informed her parents that she was not going through with the marriage they had arranged for her and that, in fact, she had recently married a white American writer, Clark Blaise. Her first-hand knowledge of the immigrant’s yearnings was captured in the title character of her breakthrough novel, Jasmine, a poor girl from Punjab who arrives in America “greedy with wants and reckless with hope.” Mukherjee’s collection The Middleman and Other Stories, winner of the National Book Critics Circle Award in 1988, explored the immigrant experience through the stories of new arrivals from the Caribbean, Sri Lanka, the Philippines, and the Middle East. As she was writing those stories, she was developing a credo: “Make the familiar exotic (Americans won’t recognize their country when I get finished with it) and make the exotic—the India of elephants and arranged marriages—familiar.” Given that we now live in a world with 60 million refugees, driven from their homes for reasons ranging from terror to desire, it’s hard to argue with Mukherjee’s claim that “the narrative of immigration is the epic narrative of this millennium.”

Derek Walcott
Some writers are lucky to have a singular place that forever nourishes their art. William Faulkner had Yoknapatawpha County. Elmore Leonard had Detroit. Patrick Modiano has Paris. And Derek Walcott, the Nobel Prize-winning poet, had his native Caribbean island of St. Lucia. It provided Walcott with ample raw materials for his vivid, musical poems—the sea, the pulsing sun, the land and its fecund vegetation, and the people who live there in the wake of slavery, colonialism, and forced exile, snagged in the mesh of commingled cultures.

Walcott, who died March 17 at 87, published his first poem when he was 14 while operating under the influence of and . Over the next seven decades he became an accomplished poet, playwright,, the 1962 book that announced him as a major writer:

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