The Paris Review

The Dignified Bot

Amme

Five months after I moved to New York City to pursue a career in writing, I was offered a part-time job composing the dialogue for a chatbot. Called “bots” for short, these are software programs that talk back, answering customer-service questions or performing simple tasks within texting applications or online pop-up windows. In the contract’s phrasing, I would “design” the bot’s “personality.” The office was lit by fluorescent rods, and the windows opened onto walls of brick. As I researched models—Apple’s Siri, Amazon’s Alexa—I found myself applying a feminist critique to the personalities I encountered. They were demure, or disturbingly flirty. The design of these helpers implied an odd nostalgia for the all-female secretarial pool. I decided that the bot I wrote would call itself “it,” not “she,” in keeping with its identity as inanimate technology, and that it would convey characteristics beyond a slavish deference to society’s hierarchies. I wanted to equip it with dignity. One obstacle

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