The Paris Review

Contributor Picks: Doomed Bohemians and Death Masks

In place of our staff picks this week, we’ve asked six contributors from our Fall issue to write about what they’re reading, watching, listening to, and enjoying. 

Still from Personal Shopper.

In his films, Olivier Assayas often makes use of reflective surfaces: glass walls, windows, mirrors, screens, Hollywood stars. His distinctive recipe seems to be mixing them with dark, strange themes that enter his scripts obliquely. So if you start watching expecting a satire on personal shoppers, you will be confused and disappointed. Better to expect a peculiar ghost story. Even better, prepare yourself by watching some of his back catalogue: ,,. I couldn’t decide if the final scene was a botched job or a masterpiece, but the choice of Anna Hausswolff’s haunting “Losing Track of Time” on the soundtrack was certainly inspired. Also: one of the best portrayals of ghosts

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Acknowledges
The Plimpton Circle is a remarkable group of individuals and organizations whose annual contributions of $2,500 or more help advance the work of The Paris Review Foundation. The Foundation gratefully acknowledges: 1919 Investment Counsel • Gale Arnol

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